Here is one of the primitive wine presses of Italy, and if you want to know why some irreverent people call the red wine of the Italians "Chateau la Feet," you have but to watch the process of its making in these Telegraph Hill wine houses. The grapes are poured into a big tub and a burly man takes off his shoes and socks and emulates the oxen of Biblical times when it treaded out the grain. Of course he washes his feet before he gets into the wine tub. But, at that, it is not a pleasant thing to contemplate. Now you look around with wider and more comprehensive eyes, and now you begin to understand something about these strange foreign quarters in San Francisco. As you look around you note another thing. Italian fecundity is apparent everywhere, and the farther up the steep slope of the Hill you go the more children you see. They are everywhere, and of all sizes and ages, in such reckless profusion that you no longer wonder if the world is to be depopulated through the coming of the fad of Eugenics. The Italian mother has but two thoughts--her God and her children, and it is to care for her children that she has brought from her native land the knowledge of cookery, and of those things that help to put life and strength in their bodies.
An Italian girl said to us one day:
"Mama knows nothing but cooking and going to church. She cooks from daylight until dark, and stops cooking only when she is at church."
It was evident that her domestic and religious duties dominated her life, and she knew but two things--to please her God and to care for her family, and without question if occasion demanded the pleasure of her family took precedence.
San Francisco's Latin quarter is appealing, enticing and hypnotizing. Go there and you will learn why San Francisco is a bohemian city. You will find out that so many things you have thought important are really not at all worth while. Go there and you will find the root of Bohemian restaurants. These people have studied gastronomy as a science, and they have imparted their knowledge to San Francisco, with the result that the Bohemian spirit enters into our very lives, and our minds are broadened, and our views of life and our ideas have a wider scope. It is because of this condition, born on the slopes of Telegraph Hill, that we are drawn out of depressing influences, out of the spirit of self-consciousness, and find a world of pleasure, innocent and educational, the inspiration for which has been handed down through generations of Latina since the days of early Roman empire, which inspiration is still a power for good because it takes people out of themselves and places them where they can look with understanding and speak the language of perception. Little Italy's charm has long been recognized by artists and writers, and many of them began their careers which led to fame and fortune in little cheap rooms on Telegraph Hill. Here have lived many whose names are now known to fame, and to name them would be almost like a directory of world renowned artists and writers. Here is still the memory of Bret Harte and Mark Twain. Here is where Keith had his early studio. Cadenasso, Martinez, and many others know these slopes and love them.
To all these and many more the Latin Quarter of San Francisco possessed a charm they could find nowhere else, and if one desire to bring a saddened look to the faces of many now living elsewhere it is but necessary to talk of the good old days when Bohemia was on Telegraph Hill in San Francisco. Here they had their domicile, and here they foregathered in the little restaurants, whose claims to merit lay chiefly in the fact that they were rarely visited by other than the Italians of the quarter and these Bohemians who lived there.
Here was the inspiration of many a good book and many a famous picture whose inception came from thoughts that crystallized amid these surroundings, and here many a needy Bohemian struggled through the lean days with the help of these kind-hearted Latina. Here they, even as we, were taught something of the art of cooking.